There is no over killing of the boo-jump scares, they are placed with care and marry up superbly with the mounting tension. So when the big moments come they have maximum impact and have us also yearning for the Warren's to get involved. Then things start to happen, but again Wan builds it in slow instances, creating a palpable sense of dread, his camera work intelligent.
Wan builds it deftly, letting us into the Perron families lives as they move into what they believe to be a dream home. Story essentially is based around an investigation in the early seventies by paranormal specialists Ed and Lorraine Warren, who aided the Perron family as they were victims of dreadful supernatural events at their Rhode Island home. Regardless of hoax charges and embellishments, just buy into the premise, commit to it as a scary story in the same way as director James Wan has, for then the rewards are there for the compliant. Forget the "based on a true story" tag, since it's kind of irrelevant in this new technological age, it's a selling gimmick that actually means "this story might be true and we might have played with it a bit".
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Free of gore and sex, this was automatically going to alienate a good portion of the lustful members of the horror fan base, but for those who like their horror served with appetising scares and a cauldron of suspense, then this delivers plenty to your particular table. There's a lot to admire about a horror film that in this day and age stands tall and proud against the ream of remakes, sequels and teen friendly slashers that "haunt" the multiplexes with all too much frequency these days.
The key with The Conjuring is not that it has freshness on its side, as evidenced by the ream of horror fans arguing on internet sites about "nothing new on the table", but while those fans will be going hungry for a very, very long time, The Conjuring does everything right for the splinter of horror it deals with.
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